TU RESTI, O MIO BEL NUME, anniversario Alessandro Scarlatti
29 August/18h00 Italy / Conegliano, Sala dei Battuti
Scarlatti was one of the most versatile Baroque composers, capable of combining rigor and melodic imagination. After establishing himself in Rome, thanks in part to the patronage of Christina of Sweden, he moved to Naples in 1684 as choirmaster, where he expanded his vocal production. Among his numerous cantatas, those intended for the bass voice are few compared to those for soprano or contralto. This concert presents a selection, showcasing the expressive variety and refined writing that characterize this repertoire.
Cenacolo Musicale
Patrizio La Placa, bass
Gabriele Politi e Iben Bøgvad, violins
Elisa La Marca, theorbo
Cristina Vidoni, cello
Donatella Busetto, organ
Program
Cenacolo Musicale
Patrizio La Placa, bass
Gabriele Politi e Iben Bøgvad, violins
Elisa La Marca, theorbo
Cristina Vidoni, cello
Donatella Busetto, organ
Program
Alessandro Scarlatti (1660-1725)
Sotto l’ombra di un faggio
Recitativo – Aria – Recitativo – Aria
Sotto l’ombra di un faggio
Recitativo – Aria – Recitativo – Aria
Nicolò Porpora (1686-1768)
Sinfonia n 2 in Do maggiore
da “Sinfonie da Camera Op 2”
Adagio – Allegro – Affettuoso – Allegro
Sinfonia n 2 in Do maggiore
da “Sinfonie da Camera Op 2”
Adagio – Allegro – Affettuoso – Allegro
Alessandro Scarlatti
Tu resti, o mio bel nume
Recitativo – Aria – Recitativo – Aria
Tu resti, o mio bel nume
Recitativo – Aria – Recitativo – Aria
Nicolò Porpora
Sinfonia n 1 in Sol maggiore
da “Sinfonie da Camera Op 2”
Adagio – Allegro – Aria I – Aria II
Sinfonia n 1 in Sol maggiore
da “Sinfonie da Camera Op 2”
Adagio – Allegro – Aria I – Aria II
Alessandro Scarlatti
Immagini d’orrore
Aria – Recitativo – Aria
Immagini d’orrore
Aria – Recitativo – Aria
