ONDA CHE MORMORA, Tartini e il barocco sloveno

Tartini, Gorizia, and the Slovenian Baroque Between the 18th and mid-19th centuries, Gorizia developed an intense instrumental musical scene, complementing traditional musical theater productions. The city distinguished itself for its attention to compositions and stylistic innovations from Central Europe, proving particularly open to Slovenian, Bohemian, and German influences, while maintaining strong ties with the most advanced Italian instrumental music movements in the Veneto region, especially Padua and Venice. Gorizia: Crossroads of Musical Cultures Gorizia's role as a meeting point of diverse cultural traditions is clearly evident in its musical production. Gorizia's archives and manuscript collections demonstrate affinities with the repertoires of Venice, Ljubljana, Prague, Udine, and Trieste, confirming the city's cosmopolitan vocation.

Tommaso Luison, violin and Cenacolo Musicale Orchestra