
Created in Ambronay in 2000 with an office in Versailles, REMA now boasts a membership of 130 organisations in 23 countries.
OBJECTIVES
- to be the leading voice for early music in Europe
- to stimulate, facilitate, develop and promote awareness of early music
- to engage in rediscovering and promoting European heritage in terms of early music and period instruments, with a historically inspired interpretation
- to encourage the development and integration of early music education and the promotion of young artists
- to encourage the inclusion of music in programming
REMA ACTIVITIES
- Regular members’ meetings in different European countries, during which meetings, conferences, round table discussions, presentations, etc. take place.
- Actions to promote early music and its geographical and artistic diversity, such as the REMA Early Music Award, or Early Music Day that takes place annually on 21 March.
- A European showcase for young talents in the early music field and the organisation of conferences with conservatoires and early music students have an impact on the integration of early music education and the promotion of young artists.
- "The Early Music Podcast", a series of podcasts with ressources for the early music sector.
REMA EXECUTIVE BOARD






ORGANIZATION
REMA is a NON-PROFIT
ORGANIZATION under the law of 1901. The general assembly is the highest decision-making body within REMA.
REMA has an office in Versailles.
This office is managed by the executive secretary.
NATIONAL
COMMITTEES
- Benelux and UK
coordinated by Bart Demuyt, Antwerp - France
coordinated by Alain Brunet, Ambronay - Italy and Switzerland
coordinated by Enrico Bellei, Modena - South East Europe
coordinated by Klemen Ramovs, Brezice - Scandinavia and Baltics
coordinated by Peter Pontvik Stockholm
FURTHER MEMBERS
OF THE BOARD OF DIRECTORS
- Misteria Paschalia Festival Poland
represented by Joanna Broniec - Bucharest Early Music Festival Romania
represented by Laurentiu Constantin - Irish Baroque Orchestra Ireland
represented by Aliye Cornish Moore - Sollazzo Ensemble Switzerland
represented by Anna Danilevskaia - Amuz Belgium
represented by Bart Demuyt - ConcertgebouwBrugge Belgium
represented by Albert Edelman - Zamus/KGAMe.V. Germany
represented by Mélanie Froehly - St John's Smith Square United Kingdom
represented by Richard Heason - Itinéraire Baroque en Périgord Vert France
represented by Christian Langenfeld - WDR Germany
represented by Richard Lorber - Vilnius University/Faculty of History Lithuania
represented by Aleksandra Pister - Centro di Musica Antica Ghislieri, Italy
represented by Giulio Prandi - National Centre For Early Music York UK
represented by Delma Tomlin - Stockholm Early Music Festival Sweden
represented by Peter Pontvik - Passacaille Records Belgium
represented by Adèle Querinjean
ADMINISTRATION OF REMA



- www.emc-imc.org
ASSOCIATED PARTNER
EUROPEAN MUSIC COUNCIL
(EMC) - www.imc-cim.org
ASSOCIATED PARTNER
INTERNATIONAL MUSIC
COUNCIL (IMC) - www.efa-aef.eu
ASSOCIATED PARTNER
EFA-AAF - www.pearle.ws
ASSOCIATED PARTNER
PEARLE*-LIVE
PERFORMANCE EUROPE - www.accordmajeur.net
ASSOCIATED PARTNER
ACCORD MAJEUR
REMA RECEIVES SUPPORT FROM:
- https://ec.europa.eu/programmes/creative-europe/
FINANCIAL PARTNER
THE EUROPEAN COMMISSION, THROUGH THE CREATIVE EUROPE PROGRAMME
The European Commission supports REMA by the "Support for European Cultural Bodies (Stand 2)". REMA received funding from the European Commission in 2007 - 2009 - 2010 and 2011. This project has been funded with support from the European Commission. This publication reflects the views only of the author, and the Commission cannot be held. - www.culturecommunication.gouv.fr/
FINANCIAL PARTNER
THE FRENCH MINISTRY FOR CULTURE AND COMMUNICATION, THROUGH THE DIRECTION GÉNÉRALE DE LA CRÉATION ARTISTIQUE (DGCA)
The French Ministry of Culture and Communication (Le Ministère de la Culture et de la Communication) were at origins of the creation of REMA. The SAJI is a financial partner since the creation of REMA in 2000 and the REMA also benefits from subsidies from the DGCA since 2010.