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2016 Festival de Aranjuez - Spain, Madrid, Aranjuez

The Aranjuez XXIII Early Music Festival Comunidad de Madrid Aranjuez : Landscape and Setting for Farinelli

Saturday 7th May, 17.00

  • Musical Tour, Island Garden, Music Prima Ensemble

Sunday 8th May, Chapel of the Royal Palace, 19.30

  • La Bellemont
  • 17.00 : Guided tour of Aranjuez Courtyards and Corralas

Sunday 15th May, Chapel of the Royal Palace, 19.30

  • Catherine King & Ariel Abramovich
  • 17.00 : Boat trip along the Tagus and visit to the Museum of Royal Barges

Saturday 21st Mays, Chapel of the Royal Palace, 20.00

  • Maria Hinojosa & Ludovice Ensemble
  • 17.30 : Guided tour : From the Plaza de Toros to the Knights Courtyard

Sunday 22nd May, Chapel of the Royal Palace, 19.00

  • Orquesta Barroca de Sevilla soloists with Marta Almajano

Saturday 28th May, Cortijo of San Isidro, 19.00

  • Wine cellar of Real Cortijo, Visit, concert and tasting, Seldom Sene Recorder Quartet

Sunday 29th May, Chapel of the Royal Palace, 19.00

  • Fahmi Alqhai & Rami Alqhai

Sunday 12th June, Royal Theatre Charles III, 19.00

  • Maria Espada with Maria Ferre and Amélie Chemin
  • 17.00 : guided tour : stroll through the Aranjuez in the times of Charles III
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MONTEVERDI FESTIVAL 2016 - Virgins, Nymphs and Queens - Italy, Cremona

Le 14/05/2016
Par : Festival Monteverdi
  • MONTEVERDI FESTIVAL 2016
  • Virgins, Nymphs and Queens
  • Cremona, 14 May – 4 June 2016

Virgins, Nymps and Queens… a crowd of changing women will throng the 2016 Monteverdi Festival : a prism of womanly baroque affetti, now passionate, now motherly, spiritual, fervent, heavenly, ambitious, languid...

The Festival is mainly dedicated to Claudio Monteverdi, with an eye on the celebrations of his 450th anniversary in 2017 : from the inauguration with tle magnificent Selva morale e spirituale performed by Modo Antiquo (May 14) to love &death moving duets sung by two marvellous queens of early music, Sonia Prina and Roberta Invernizzi (June 2) ; from the madrigali guerrieri et amorosi performed by the renown ensemble Les Talens Lyriques (May 22), to the elegant and mysterious French noblewomen evoked at the harpsichord by Justin Taylor, winner of the prestigeous Bruges International Competition (May 15).

Woman of all women, perfect and holy mother and wife, is the Virgin Mary, celebrated in many of the sacred concerts of the Festival : from the usual performance of the Vespro della Beata Vergine, assigned this year to Il Canto d’Orfeo (May 27), to the Black Madonna of Montserrat, honoured by Jordi Savall and his Capella Reial de Catalunya (May 21) ; from De Victoria’s Salve Regina and other motets dedicated to the Virgin, interpreted by La Grande Chapelle (May 15), to a magnificent programme dedicated to Pergolesi performed by Ghislieri Choir & Consort (May 20). We will return to Spain, in Castile, with the Micrologus (May 29) to admire the Cantigas de miragres e de loor composed during the XIIIth century for Alfonso X ‘el Sabio’. The Tallis Scholars will also depict the Virgin, praised in breathtaking compositions by Josquin, Monteverdi and Pärt (May 28).

During the weekends of May, new horizons of early music (Orizzonti) will be explored and young talents discovered : from Justin Taylor to the north-European ensemble Radio Antiqua, invited in collaboration with the Festival d’Ambronay and featuring XVIIth and XVIIIth century Italian cantatas and sonatas (May 29). Last but not least, the usual crossover concert of the Festival, this time with the fine French jazz player Michel Godard (Across, May 19).

As usual, Monteverdi Festival spreads out during the spring throughout the town, looking for unusual venues : stunning baroque churches, cloisters, courts, historical villas, as well as in the beautiful Auditorium Arvedi.

Riding the wave of last year’s success, Monteverdi Festival sets sail again, ready for the journey that Monteverdi undertook so many times between Cremona, Mantua and Venice. A new Music Cruise on the waterway connecting the Po river, the Mincio river and the Venetian Lagoon. A boating holiday to discover the region from an usual visual, rhythmed by the placid flowing of water and... women in music (June 3-4).

Further information and complete programme at : www.teatroponchielli.it

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Saison 2015-2016 - Lieu à définir

Le 23/05/2016
Par : Académie Bach

Les cabinets de curiosités de l’Académie Bach. Cette formule, propre à l’Académie Bach, enrichit les œuvres, lorsque la matière s’y prête, d’une présentation de leur structure de composition, de leur contexte historique ou de leur environnement artistique. Mieux comprendre ce que l’on découvre permet aussi de mieux l’apprécier. Entre la présentation et le spectacle, un moment d’échange autour d’un verre favorise les contacts.

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Beverley & East Riding Early Music Festival 2016

Friday 27 – Monday 30 May

Beverley & East Riding Early Music Festival spans seven centuries of European music with a series of concerts celebrating the Virgin Mary, "The Queen of Heaven", featuring music from Hildegard of Bingen to Mendelssohn. Guest artists include Florileguim (27 May), Elizabeth Kenny theorbo and Elin Manahan Thomas soprano, The Cardinall’s Musick (28 May), Fitzwilliam String Quartet (29 May) and The Flautadors Recorder Quartet (30 May).

Delma Tomlin, Festival Director says : "We are delighted to welcome a star studded range of guest artists and to support an ever burgeoning educational programme. Highlights include concerts by the Consone Quartet following a 10 day residency in York as part of the NCEM’s EEEmerging project funded by Creative Europe and Beverley Grammar School students who, with three feeder primaries and the help of players from the Orchestra of the Age of Enlightenment, will create their own opera The Age Old Story based on Purcell’s ’Dido & Aeneas’. In addition, we are delighted to offer two contrasting workshops for amateur musicians – one for trio-sonata groups led by Florilegium’s Ashley Solomon and a choral workshop with Andrew Carwood, director of The Cardinall’s Musick. This year’s festival offers something for everyone to get involved and enjoy the music-making."

On the last night of the Festival, singers from the University of York Chamber Choir are joined by an array of period instruments played by professional guest musicians including Gawain Glenton cornetto and David Miller chitarrone in Monteverdi’s 1610 ’Vespers for the Virgin Mary’. Presented in the magnificent setting of Beverley Minster, it provides a superb and festive finale."

Indeed, the superb historic market town of Beverley in the East Riding of Yorkshire has welcomed Early Music fans for more than a quarter of a century. Some of the world’s finest musicians enjoy performing in some of England’s historical architectural gems including the Georgian Courtroom, as featured in the BBC’s mini-series Death Comes to Pemberley and Beverley Minster, famed for the medieval musicians who grace the aisles of the church.

For full programme details visit : www.ncem.co.uk/bemf and www.ncem.co.uk/eee

Festival Tickets : £5.00 to £25.00 are available from the NCEM at St Margaret’s Church, Walmgate, York YO1 9TL. Telephone : 01904 658338. Email : boxoffice@ncem.co.uk

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Saison 2015-2016 - Arques la Bataille

Le 4/06/2016
Par : Académie Bach

Les cabinets de curiosités de l’Académie Bach. Cette formule, propre à l’Académie Bach, enrichit les œuvres, lorsque la matière s’y prête, d’une présentation de leur structure de composition, de leur contexte historique ou de leur environnement artistique. Mieux comprendre ce que l’on découvre permet aussi de mieux l’apprécier. Entre la présentation et le spectacle, un moment d’échange autour d’un verre favorise les contacts.

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