Actualités
réunion Bureau Exécutif
Le Bureau Exécutif se réunit à Stockholm en ce moment pour discuter d’activités passées et à venir du REMA !
Retour haut de pageGustav Leonhardt
C’est avec tristesse que nous avons appris le décès de l’un des plus grands interprètes, claveciniste, organiste, chef d’orchestre et professeur du siècle dernier, Gustav Leonhardt le 16 janvier, décédé à l’âge de 83 ans à Amsterdam.
Retour haut de pageversion allemande du site internet maintenant disponible !
La version allemande du site est maintenant disponible !
Retour haut de pageRejoignez-nous sur facebook !
REMA est sur facebook ! Rejoignez-nous et suivez toute l’actualité du REMA en cliquant ici.
Retour haut de pageNouveau Bureau Exécutif du REMA
Nouveaux membres du Bureau Exécutif élus à Porto !
Président :
Peter Pontvik, Stockholm Early Music Festival, Suède
Le bureau est par ailleurs composé de :
Mariafederica Castaldo, Centro di Musica Antica, Naples, Italie
Christian Langenfeld, Festival de Musique Ancienne de Ribeauvillé, France
Bjorn Ross, Copenhagen Renaissance Music Festival, Danemark
Alexandre Santos, Casa da Música, Portugal
Nouvelle adresse du REMA
Le REMA a un nouveau bureau, au sein des locaux du Centre de Musique Baroque de Versailles (CMBV).
Nouvelles coordonnées :
REMA
c/o CMBV
22 avenue de Paris, BP 20353
78003 Versailles Cedex
France
Email : info@rema-eemn.net
Tél. : + 33 (0) 1 39 20 78 03
Showcase à Porto
Huit jeunes ensembles de musique ancienne venus de toute l’Europe étaient invités à se produire à la Casa da Música à Porto le 5 novembre 2011 :
Ludovice Ensemble, Les Ombres, Ensemble Symblema, Ensemble Meridiana, Duo BLU, Scherzi Musicali, Woodpeckers Recorder Quartet and Qvinta Essencia.
Le Showcase a été enregistré et sera retransmis par la radio classique portugaise RDP 2 :
8, 9, 11, 17 novembre : Ludovice, Les Ombres, Symblema, Meridiana à 19h (heure locale portugaise)
21, 22, 24, 28 novembre : Duo B.L.U., Scherzi, Woodpeckers, Qvinta Essençia à 19h (heure locale portugaise)
Vous pouvez écouter ces retransmissions sur le site internet :
http://www.rtp.pt/antena2/. Sélectionner “Ouvir Radio” ou “Ouvir a Antena 2”
CONFERENCE ANCONA 24-26 JUIN SUR LA PROGRAMMATION ARTISTIQUE
PRESENTATION OF THE KEYNOTE SPEAKERS CONFERENCE : ARTISTIC PROGRAMMING Moderator : Mister Guido Barbieri- Radio 3
Conference in English and in French – Simultaneous translation is provided
Jan Van den Bossche studied choral conducting at the Royal
Conservatoire in Ghent. He specialized in early music in Vienna, where
he sang with the Arnold Schönberg Choir. In 2000 he joined the
Utrecht-based Early Music Organisation and was appointed director in
2003. In 2009 he left Utrecht and became artistic director of the
Festival de Música Antiga in Barcelona. From 2006 until 2008 he was
chairman of the European Early Music Network (REMA.) Since 2007 he
has staged several music theatre productions.
Jan Van den Bossche will talk about the Idea of Identity while
programming for a festival. How to create an identity ? What is a
festivals’ identity ? – is this a musical, political or perhaps a national
concern ?
Tomas Bisschop (°1975) studied Musicology at the ‘Katholieke
Universiteit Leuven’ and completed the music teacher training at the
‘Hogeschool Gent’.
After his studies he started working as production leader for the
‘Flanders Symphony Orchestra’. After that Tomas Bisschop became
manager of chamber choir ‘Ex Tempore (Florian Heyerick)’. At the
same time he started together with Hendrik Storme the alternative
management agency C-Zuur, which gave artistic and financial advice to
specialized ensembles and orchestras such as Capriccio Stravagante of
Skip Sempé, Concerto Copenhagen and La Folata. Out of this
organization, in 2005, baroque orchestra B’Rock was founded, which
he came to co-manage financially and artistically. In 2007 he was
appointed together with Hendrik Storme as head of the ‘Festival van
Vlaanderen Brugge (MAfestival)’. In a short period of time he managed
to change the course of this festival to become innovating and
trendsetting for the performance of early music.
Since 2009 the organization is lead by Tomas Bisschop alone.
Tomas Bisshop will talk about the extension of the repertoire or the
establishment of niches. This key note will highly focus on the Early
music, how to define it ? It will also discuss the possibilities to go
beyond the traditional repertoires.
Emmanuel HONDRÉ
Director of the production of concerts
Cité de la musique - Salle Pleyel
Doctor in musicology and he is holder of the four first prizes from the
Conservatoire National Supérieur de Musique et de Danse of Paris
(History of music, esthetics, musicology, pedagogy of the flute),
Emmanuel Hondré first worked as a professor before he integrated the
Cité de la musique, first as a Musical Editor (1997) afterwards he was
in charge of the Service des activités culturelles of the Musée de la
musique (2002) and then he became Director of the production of
concerts (2004).
He elaborates next to Laurent Bayle the musical seasons for the Cité de
la musique and for the Salle Pleyel.
Emmanuel Hondré will prepare a keynote speech on the artistic
programming based on topics. How to choose the topics and their
subdivisions ? How do you illustrate these topics and how do you open
up the collaborations with other institutions and how to develop the
expansions of your programming ?
Emmanuel Hondré will also give us his vision of the role of the artistic
director.
Marco Mencoboni : harpsichordist and organist, was born in 1961 in
Macerata. He studied with Umberto Pineschi, Ton Koopman, Jesper
Christensen and Gustav Leonhardt and has dedicated many years to
the rediscovery and performance of ancient musical repertoire of
northern Italy. Thanks to this tireless dedication many jewels of a
forgotten music have been brought back to life. Today, as soloist and
director of the Cantar Lontano, he is in demand by many important
festivals internationally. He is the artistic director of the festival Cantar
Lontano Festival, happening every year in Ancona, in the Marches,
Thanks to his incessant work on on the Cantar Lontanio tecnique, this
incredible forgotten praxis using the singers in the space, not views, to
the imitation of many choruses, in now becoming known all around
the world.
Marco Mencoboni will give us his reflexion on the strategy of artistic
choices : audience strategies - mixtures of safe and risky proposition.
This reflexion will also include some perspectives about audiences.
MODERATOR : GUIDO BARBIERI
Guido Barbieri, music critic on the ‘La Repubblica’ newspaper, is a
conductor and a consultant for Radio 3.
He teaches music history in the conservatory of Trapani. Together with
Oscar Pizzo he founded in 1996 the ‘Contemporanea’ magazine
promoted by Rome’s Auditorium. In 2009 he also created, together
with Alessio Allegrini, the Human Right Orchestra.
Author of several critical essays and texts for musical theatre, he has
recently published the essay ‘Le afasie del cuore’ in the ‘I portatori del
tempo’ book, edited by Achille Bonito Oliva
BADGES
Le REMA a décidé de produire des badges pour l’année européenne du volontariat. Il s’agit de mettre en valeur les bénévoles multiples qui travaillent dans les festivals des membres du REMA.
Les membres qui souhaitent en procurer pour leur festivals peuvent s’adresser au secrétariat du REMA.
- BADGE REMA 2011
Nouveaux membres avril 2011
Lors de l’Assemblée Générale 2011 du REMA qui s’est tenue du 15-16 avril le REMA a accueilli trois nouveaux membres :
- NORDEM - Nordic Early Music Federation - Stockholm Suède
- FESTIVAL ALTE MUSIK KNECHTSTEDEN - Dormagen Allemagne
- BAROMUS FESTIVAL- Rovinj Croatie
AGENDA DES MEMBRES
Ce projet a été financé avec le soutien de la Commission européenne. Cette communication n’engage que son auteur et la Commission n’est pas responsable de l’usage qui pourrait être fait des informations qui y sont contenues.
Le REMA est soutenu par le Ministère de la culture et de la communication.